A roundup of the last couple of weeks:
Erin and I have been rewatching Treme, the series set in post-Katrina New Orleans. Music and musicians are a key thread through the series, and a good reminder of what the city has given to our country.
The next night, the family went to a backyard party at the home of Steve and Rebekah Vaisey. Their daughter, Deliah, has been recording tracks for an upcoming EP, and she performed some of her songs, with her father and brothers backing her up. Find Deliah on Spotify under Delia-h:
After Deliah and her family finished their set—they were very good!—the stage became a karaoke playground; my children sang Sweet Caroline and had everyone up on their feet singing along. Another guest sang Blue Monday, by New Order. On the way home, I told my family about the time I and four buddies performed a dance routine to that hit song. Our routine was choreographed by Danielle Crawford, we were dressed in cheerleader outfits (this was a somewhat-serious spoof of the very popular DeKalb High School girls dance team), and we got a big cheer from the student body in the gym.
Matthew Butterick, a lawyer/designer/coder who designed the fonts I use on this site, occasionally writes (and designs) long, thoughtful, connected essays. His latest is Power, Corruption & Lies and in it he focuses on the album cover designs of New Order. It’s a fascinating read.
Last week, Erin and I went to the Durham Performing Arts Center to see Aaron Sorkin’s adaptation of To Kill a Mockingbird. The cast was excellent, and the dialogue crisp, but I still came away unsettled by the story and the reality of racism’s deep, deep roots in this country.
We hosted a backyard party of our own this weekend to celebrate Malia’s graduation, and we ended the evening with karaoke under our carport. Oliver and his cousin Ginny hogged the microphone but did let me and my friend Jon sing Solsbury Hill.
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